Speak Weirdness to Truth

Before we entered the Age of Emoji, I never quite liked the quote “life is a comedy to those who think, a tragedy to those who feel.” But now I kinda do. Emoji have been a bit of a life changer for those of us who are not naturals at this feeling game. Turns out, they function as pretty good theater masks in the sense of Keith Johnstone (in particular the chapter on masks and trances). If you follow me on Twitter or Facebook, you may have noticed that my current avatar is this hand-crafted,  emoji-mashup version of the classic theater-masks icon/emoji 🎭, (which seems to have turned into a generic overloaded symbol for the performing arts). Since adopting this avatar, I have become a better human being: full of compassion, less inclined to troll, more willing to listen to Trump supporters, etc.

theaterji

Here’s the thing, if you routinely use emoji, especially on Twitter, you will notice that you actually feel the emotions represented, at least weakly. It’s like color-by-numbers feeling. Since emoji seem to be used ironically as often as they are sincerely, using emoji is like learning an emoting alphabet, in regular and italic (=ironic) forms.

I suspect it is my emoji (over)use that has gotten me interested in one particular feeling lately: weirdness. By my account and understanding of it, weirdness is not so much a feeling as that state of not knowing what to feel. There can be no static emoji for it. At best you could make an animated gif that cycles through several emotions to represent the state of emotional indeterminacy that is ‘weirded out.’ I’d put 😟, 😦, 😐, and😠 in the cycle (note, depending on where you read this post, these may not render exactly as I intend, which is part of the fun). You can say more: weirdness is also the experience of not knowing what to think. 

The experience of weirdness, and the condition of not knowing what to think or feel, but engaging life in that state anyway — what I call speaking weirdness to truth — is perhaps the soul of gonzo, if not its body. Speaking weirdness to truth is the lowest-effort way to pull off the Hunter S. Thompson life anti-script: when the going gets weird, the weird turn pro.

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Crowds and Technology

This is a guest post by Renee DiResta

“There is no other hope for the survival of mankind than knowing enough about the people it is made up of.” – Elias Canetti

Two closely related themes have proved very newsworthy over the past several months: the candidacy of Donald Trump, and harassment mobs on the Internet. The overlap between them is interesting because in the past we haven’t typically associated American Presidential campaigns, no matter how close or contentious, with online mobs. This time, however, we have stories about the election intersecting with the rise of online harassment mobs, anti-Semitic Twitter trolls, and even Kremlin influence bots.

Illustration by Grace Witherell

Illustration by Grace Witherell

Although this weird election cycle has made them more newsworthy, mobs, demagogues, and populist movements are obviously not new. What is new and interesting is how social media has transformed age-old crowd behaviors. In the past decade, we’ve built tools that have reconfigured the traditional, centuries-old relationship between crowds and power, transforming what used to be sporadic, spontaneous, and transient phenomena into permanent features of the social landscape. The most important thing about digitally transformed crowds is this: unlike IRL crowds, they can persist indefinitely. And this changes everything.

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Startups, Secrets, and Abductive Reasoning

Guest post by Joseph Kelly.

But we must conquer the truth by guessing, or not at all.  CS Peirce

An early episode at at my last company demonstrated one of the paradoxes of startup product development.  At this time our product was still early and undefined.  I had spoken with a potential client about their goals for a project and was trying to create a sales proposal with the engineering team.

Pretty quickly I grew frustrated.  When I’d ask the engineers what we could do for a particular feature, every answer was “well, how does the client want it?”  I wanted to present the client something concrete, but being capable engineers, my team believed they could build anything.

This went on for several minutes before I broke the cycle and said: “If you’re a contractor and the client asks you to build them a gazebo, you don’t ask them everything from what roof pitch angle they want to what kind of screws to use.  You pitch one gazebo design, or a few, then you work together to reach a final version.”  That clicked instantly and we were able to move forward.  My anecdote forced us to adopt a lesser-known mode of reasoning that I’ll explore in this essay, called abduction, which is critical to developing your product strategy.

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The Origin of Authenticity in the Breakdown of the Illusion of the Real

Authenticity is real. It is a repair process within the order of symbols, within the hyperreal, in which efforts to destroy the order of symbols are channeled into acts that strengthen and expand it.

What is authenticity? Once upon a time things seemed pretty real. Then, gradually, things started seeming totally phony. People asked “how are you,” but they didn’t really care what the answer was. People said, in a professional capacity, “I’m sorry for your loss.” People wore t-shirts made in factories with the word “AUTHENTIC” printed on them.

Some people were more sensitive to the phoniness than others. It was a lonely time for a special snowflake. The good news is that now, you, you yourself, the only one who sees through the facade, must go and find the real. It’s probably far away, in another place, if not in another time. It’s exotic and bizarre. It demands a great deal from you. There won’t be a Starbucks there.

Authenticity is the object of the quest defined above. It may be an illusion, like the Fountain of Youth or pirate’s gold, but the search for authenticity has real effects upon the world.
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The Liminal Explorer of the Adjacent Possible

A short story.

The city was content in the deepening twilight, as the Sun set with the air of a job well done. Wrought iron street lamps flickered to life and small birds twittered in the bushes on the gentle hillside sloping down towards the water. From the patio of the Em Cafe, two thin and earnest young men looked out across the bay, nursing their cold brews with an air of reluctant contentment.

“Would it be bourgie to say ‘this is perfect’?” asked the ginger-infused cold brew.

Classic cold brew pondered the question gravely for a moment, and opened his mouth to respond, only to shut it again as a homeless black woman shuffled into view, pushing a shopping cart, and muttering something under her breath in a disturbed undertone.

Ginger cold-brew shuffled uncomfortably, “Well, you know what I mean. The bay view, the weather, the coffee. Not, you know, life.”

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Trace of the Weirding

Today’s post is hopefully a bit of a treat for those of you who like audio and video more than text. I’ve updated my You Are Here map for 2016 (thanks Grace Witherell!) and turned it into a narrated video walkthrough. It’s basically about an hour of me talk-walking through a map. If you prefer audio, you can just scan the map to get a sense of it, and then just listen to the audio.

If you’re new to ribbonfarm, this may be a good way to get oriented — or entirely confused. I don’t know. I’m too deep in this thing. The big change in the map from last year’s version is the addition of the whole western 20% or so, and the incorporation of 2016 crazy election year motifs into the landscape. It’s still very US centric, and doesn’t satisfactorily capture some of my newer interests, but it’s a start.

What’s not represented is some of the developing influence of newer residents and their writing on either ribbonfarm or my own thinking. That’s too new, and it’ll probably get folded into next year’s map. So this is mainly me talking about my own interests, with some digressions on Sarah Perry’s stuff.

The narrated walk through was heavily inspired by conversations at Refactor Camp 2016. Here are the links mentioned in the video.

  1. High-res version of the map (5MB)
  2. Refactor camp session slide decks: Thanks to Mick Costigan, Megan Lubaszka, Renee DiResta, Jordan Peacock and Sam Penrose.
  3. Blake Masters’ notes on Peter Thiel’s 2×2 
  4. My gloss on Jane Jacobs Guardian/Commerce
  5. Economics of Pricelessness
  6. Hamilton vs Jefferson
  7. Post on future nausea and manufactured normalcy
  8. A post on New Horizons
  9. My extended riff on hedgehog vs. fox
  10. Bruce Sterling favela chic/gothic high tech talk
  11. Atlantic post on climate change
  12. Some stuff on serendipity versus zemblanity
  13. Sarah Perry’s roundup/introduction on postrationality
  14. David Chapman, Meaningness
  15. Sarah’s book Every Cradle is a Grave
  16. Less Wrong
  17. Slatestarcodex map
  18. The Gervais Principle
  19. Sarah’s theme parks vs amusement parks post
  20. My post on Crash-only thinking
  21. Breaking Smart if you’ve been under a rock and don’t know I do that
  22. The Breaking Smart newsletter in tweetstorm format
  23. Tempo, the book
  24. James Carse, Finite and Infinite Games
  25. My Now Reading page with a lot of background

The Quality Without a Name at the Betsy Ross Museum

Warning: some of the haiku and tweets reproduced herein contain naughty language and references to having intimate relations with an inanimate national symbol.

Is beauty subjective? People have strong feelings in both directions. A stylized representation of possible opinions about the nature of beauty might look like this:

  • Strong Subjectivism: the phenomenon of beauty is essentially random with little regularity, a purely personal response that is not predictable across time and person.
  • Weak Objectivism: the phenomenon of beauty can be partly predicted by definable regularities in its perception as a result of our specific environments of evolutionary adaptedness (EEA).
  • Strong Objectivism: the phenomenon of beauty can be predicted by definable regularities because of regularities in our EEAs and in the phenomenon of intelligence itself.

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Fat Thinking and Economies of Variety

Leak before failure is a fascinating engineering principle, used in the design of things like nuclear power plants. The idea, loosely stated, is that things should fail in easily recoverable non-critical ways (such as leaks) before they fail in catastrophic ways (such as explosions or meltdowns). This means that various components and subsystems are designed with varying margins of safety, so that they fail at different times, under different conditions, in ways that help you prevent bigger disasters using smaller ones.

LeakBeforeFailure

So for example, if pressure in a pipe gets too high, a valve should fail, and alert you to the fact that something is making pressure rise above the normal range, allowing you to figure it out and fix it before it gets so high that a boiler explosion scenario is triggered. Unlike canary-in-the-coalmine systems or fault monitoring/recovery systems, leak-before-failure systems have failure robustnesses designed organically into operating components, rather than being bolted on in the form of failure management systems.

Leak-before-failure is more than just a clever idea restricted to safety issues. Understood in suitably general terms, it provides an illuminating perspective on how companies scale.

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Weird Crowds, Weird Planet

Here’s the pre-read for the third and fourth sessions of Refactor Camp.

For our session tomorrow, Tuesday the 26th on The Weird State of the Crowd, we are running a bit behind, so have a partial pre-read for you in the form of  this short summary document on Elias Canetti’s Crowds and Power. The session will be led by Renee DiResta and Megan Lubaszka. I’ll add the summary deck, which will also cover Eric Hoffer’s, The True Believerto this post, once I have it. Apologies for the delay.

Update: the slides are in!

And for our final session on Thursday the 28th, which will attempt pull it all together via the capstone theme, Weird State of the Planet, here is the slide deck. This session will be led by Jordan Peacock and Sam Penrose.

Screenshot 2016-07-25 21.29.21

The Weird State of Capitalism

This is the slide-deck for the second session of Refactor Camp 2016, on Thursday the 21th. If you’re attending, please make sure to carve out at least 45 minutes beforehand to review this. This session will be led by Mick Costigan. The deck is on Google Docs and you’re invited to add comments to it.

 

Screenshot 2016-07-20 09.41.45